Archive for 2012

Band Development Weekend 2012

Wednesday, March 7th, 2012

Every couple of years or so we organise a weekend away for the Band where we have two days of intensive rehearsal coached by a couple of top class guest conductors, playing music more difficult than our usual repertoire. This year we were led by Duncan Stubbs (Principal Director of Music of the Royal Air Force) and Rob Wiffin (a previous PDM, now professor of conducting at Kneller Hall) and needless to say it was quite an experience, hard work but very rewarding, and fun as well. Duncan of course is an old friend of ours, having been our conductor from 2006 to 2009.

This year we went to Bisham Abbey National Sports Centre near Marlow from 2nd to 4th March. The original building dates back to medieval times and has a large hall with a high ceiling ideal for the band to rehearse in. Add to that accommodation in modern buildings nearby, good food, a bar, and grounds stretching down to the banks of the River Thames and there is little more we could wish for in a venue.

During the weekend we worked on no less than 16 pieces for the full band, while for one session we divided into separate brass and woodwind groups. Claire Lawrence is a fine violinist, and she played the solo in Schindler's List and Danse Macabre, making a change from pure wind band music. There is more to the weekend than the music, however. It's a great opportunity to socialise and get to know each other better. When we gathered in the bar of an evening we indulged in such old fashioned pursuits as card games and board games, plus at one point tuba player John Dean led an impromptu sing-song.

Towards the end of Sunday afternoon we played 9 of the pieces in a concert for a few friends and relatives who had dropped by, and a few members of the staff (there is a list of most of the music we played here during the weekend here). All too soon the concert was finished and the weekend over. I think everyone went home tired but exhilarated, having achieved more than we might have thought possible.

Music Played at the Band Development Weekend 2012

Items Played in the Sunday Concert
Title Composer / Arranger
March Op 99 Prokofiev (Ed. Paul Yoder)
Chase the Sun Rob Wiffin
Greensleeves arr. Alfred Reed
Farandole Bizet, arr. Rob Wiffin
October Eric Whitacre
Suite of English Folk Dances (mvmts. 2 & 4) Ernest Tomlinson
Jerome Robbins' Broadway Arr. Warren Barker
Danse Macabre Saint Saens, arr. Duncan Stubbs
El Camino Real Alfred Reed
Other Items
Title Composer / Arranger
Canticle of the Creatures Jim Curnow
Dancing Round the Nursery Rob Wiffin
Four Colonial Country Dances James Curnow
Harlequin Bruce Broughton
Schindler's List John Williams, arr. Calvin Custer
Spirit of the Sequoia Philip Sparke
Suite for Winds Adam Gorb
Also…
Overtures for Woodwinds Philip Sparke
Music for brass (various)

Mary Spraggon Memorial Concert

Monday, February 27th, 2012

On 26th February the Band was asked to perform a special concert in memory of Mary Spraggon, who died just before Christmas. Mary and her husband Bill have been regular members of our audience since the earliest days of the band over 15 years ago, indeed Bill recalled the very first concert of the reconstituted band at the Hazell’s club in Aylesbury, now long demolished and replaced by housing. So we were honoured when Bill asked us to perform in her memory for their many friends.

The concert took place at Aylesbury Methodist church, conducted by Claire Lawrence and Robert Wicks. Before each half Bill spoke movingly about his wife, how they met when he came to work in Watford as a pharmacist in 1960, when Mary sang with the Langley Singers; how they moved to Aylesbury and made many friends through the Aylesbury Round Table and the Ladies’ Circle, but most of all about Mary’s deep love of music. Mary had very wide musical tastes, which he illustrated through the choice of music for the concert. Though she came originally from Woburn she loved Yorkshire, so the opening work was appropriately A Yorkshire Overture by Philip Sparke. She loved musicals and light opera, so the programme included selections from Les Misérables, My Fair Lady and the music of Andrew Lloyd Webber. Gilbert and Sullivan was represented by three movements from the ballet Pineapple Poll arranged from Sullivan’s music by Charles Mackerras.

Bill had a selection of programmes they had kept as souvenirs of the many shows they had seen, including a concert by the modern Glenn Miller Band, so naturally the Band played In the Miller Mood, arranged by Warren Barker. This year Bill and Mary would have been married 50 years, so the programme included the Woody Herman version of Golden Wedding. Among other favourites were the Florentiner March by Julius Fučik, the Radetzky March by Johann Strauss, The Dambusters by Eric Coates, The Mazurka and Waltz from Coppélia by Delibes, and Nimrod from the Enigma Variations by Edward Elgar.

Director of Music Claire Lawrence spoke for the Band when she said how honoured we were to have been asked to celebrate Mary’s life in this way. Finally Bill sent his friends on their way with this poem by Joyce Grenfell:–

If I should go before the rest of you
Break not a flower nor inscribe a stone
Nor when I’m gone speak in a Sunday voice
But be the usual selves that I have known
Weep if you must
Parting is hell
But life goes on
So sing as well.

after which the audience joining in singing Jerusalem by Hubert Parry.

The Band Returns to Penn Street

Friday, February 3rd, 2012

Since 2009 the Band has travelled to Penn Street, near Amersham, each January to perform a concert in Holy Trinity church. It’s a fairly small church, but the audience that attended on that first occasion so enjoyed themselves that we’ve been invited back every year since. This year’s concert took place on 28th January. Conductor Claire Lawrence planned the programme around pieces reflecting the New Year’s Day concert in Vienna, and opened with the overture to Die Fledermaus by Johann Strauss II. Christmas is over, but it’s still winter, so then we played A Winter’s Tale by Philip Sparke, which depicts a still winter’s scene, with a horse-drawn sleigh passing by.

The oboe is an important member of the wind band, often playing prominent solos, but there are few works written specially for solo oboe and band. One of these is the rarely heard Variations on a Theme of Glinka for oboe and military band by Rimsky-Korsakov, which was skilfully performed by Alison Swindles. (Not only is Alison a fine oboist, but she is also a talented designer of handmade silver jewellery). Other works in the first half were Valdres, a march by Johannes Hanssen named after a region of Norway, Eine Kleine Yiddishe Ragmusik by Adam Gorb, and a selection from Les Misérables.

After the interval, when band and audience were again treated to delicious cakes home made by ladies of the congregation, the second half opened with Century Point by Robert Sheldon, followed by a portrait of New York by Nigel Hess. Then returning to the New Year theme, the Mazurka and Waltz from Coppélia by Delibes. John Dablin played the clarinet solo in Golden Wedding, which was heard at the first concert here in 2009. Two movements from Theatre Music by Philip Sparke were followed by Can Can from French Impressions by Guy Woolfenden, and the concert ended with a selection from the musical Barnum by Cy Coleman and Michael Stewart. The audience wouldn’t let the band go without an encore, though, so continuing the New Year theme the band played the Radetzky March.

Considering how little time there was to rehearse over the busy Christmas season, the whole concert went remarkably well. One lady emailed the band to say “how much I enjoyed the concert at Penn St church on Sat evening. I was taken straight back to Vienna. I had a few tears (well a lot) the music was wonderful, thank you”. Looks like we may be going back again next January.

Christmas Concert 2011

Wednesday, January 11th, 2012

The Band’s Christmas concert nearly met with disaster. It was only by chance that we found out that the minister at Aylesbury Methodist Church had arranged a carol service immediately prior to our concert, leaving us virtually no time to set up. Fortunately with a little juggling of times we were able to do a run through in the hall before moving into the church in time for the concert.

The Band was once again joined by Lemon Tuesday ladies choir from Rickmansworth. The programme began with the Band playing Century Point by Robert Sheldon, conducted by Claire Lawrence, and this was followed by the first “Christmassy” piece, The Most Wonderful Time of the Year. The band accompanied the audience singing Oh Little Town of Bethlehem, after which John Dablin played the clarinet solo in the Woody Herman version of Golden Wedding.

Now it was the turn of Lemon Tuesday to entertain, singing Chasing Cars by Snow Patrol, Hushabye Mountain by The Sherman Brothers and Ball and Chain by The Staves. The Band then rounded off the first half with A Fireside Christmas by Sammy Nestico.

The second half opened with the well known Troika by Prokofiev. This was followed by A Winter’s Tale by Philip Sparke, which sets out to evoke a winter scene, with a horse-drawn sleigh passing by in the middle section. Lemon Tuesday then sang some more, including Rocking Carol (a traditional Czech carol), Silent Night and Have yourself a Merry Little Christmas. They rounded off their session with an encore – a spirited tango (whose title I didn’t catch) with added percussion played by Claire Lawrence, Robert Wicks, and other people dragged from the band!

The concert ended with three more Christmas pieces, Mary’s Boy Child (arr. Philip Sparke), and Sleigh Ride and A Christmas Festival by Leroy Anderson.

I’m pleased to report that the concert was well attended, the audience was larger than last year, and I’m sure they enjoyed the evening as we did our best to spread Christmas cheer. Many thanks are due to Lemon Tuesday and their conductor Martin Smith for their lively and fun performances.